THE LOOMING DARKNESS (PT 3 OF 3) -- REGRESSION

The thing about artwork is that while expertise can add meaningful substance to dialogue, even the uninitiated can be moved to feel something or get engaged. Art can influence us even if we’re not an expert.  This is different than opinions about science or engineering or foreign policy, where uninformed declarations can actually be counter-productive. I don’t want to listen to an uninformed opinion about whether bridges should be inspected for safety. I want to be able to count on experts who can properly evaluate the safety of bridges.

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THE LOOMING DARKNESS (Pt 1 of 3) — RESPONSES

Idealists may think that art in its various forms can function as remedy for chaos and pain. The rise of Dada in the early part of the 20th century suggests otherwise. The peril here is that when ideologues try to use creative work as a mechanism for political or social coercion, the work instantly corrupts itself. Political forces have always used creative enterprise as a means of influence, but in its most trenchant expressions, art speaks for itself as a reaction to the world much more evocatively than when it’s wielded as an instrument of power. 

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