MICHAEL STAROBIN / Portfolio
WORDS AND PICTURES
PHOTOGRAPHY






















WRITING
What does it matter if I skip a single, socially lubricating word when I’m talking to a massive, barely competent LLM housed in the cloud? I might be saying words, but nobody’s ears are really listening to what I’m saying. If we’re being honest about this, who cares?, especially considering that I’m only speaking to a digital assistant. Read on, because I believe it means a lot, and I’ll explain why.
Ideas are no longer bound by time and space and opportunity. In fact, since you’re likely reading this on a hand-held device, you’re intimately aware of just how many ideas are pulling at your attention right now. Too many, most likely. We must make choices.
Ordinary things are everywhere. The benches, the goofy elephant picture, the water fountain, even the tropical leaves in all directions were not in themselves the source of inspiration. Inspiration comes from following through with goals. It comes from doing the work. It comes from noticing events of the day, the chaos of monkeys howling in the trees, the acrid tang of a poorly maintained pick-up truck’s exhaust, the sweet burst of a freshly picked orange.
With everyone clicking and posting photos all day long with their cell phones, the challenge of finding interesting photographs isn’t especially hard. I’m not worried about finding a singular giraffe image, or any other easily identifiable asset that I may need for a quick turnaround production. I worry for reasons that lurk beneath the surface like shallow rocks at the shoreline.
MOVING IMAGES
LIVE EVENTS

PRODUCED MEDIA (excerpts)






SPHERICAL FILMMAKING

The number one thing we collectively did with our Promethean information powers was unhinge our jaws and try to swallow as much newly emerging social media as possible—voraciously, absent-mindedly, relentlessly. We became boa constrictors incapacitated by trying to swallow not simply a goat, but an elephant.