ART IN A TIME OF SMOKE AND CINDERS

No matter what Election Day may bring —and I’m conscious that on whatever date you may be reading there will likely remain massive uncertainties ahead — it would be irresponsible to pretend that the travails of the day can just be ignored. They cannot be ignored. Artists especially cannot avert their eyes, even as the balm of creative work promises a cloak of comparative purpose, or at least meaningful pursuit. To pretend that our collective, human induced problems are not substantial would be to assert an abdication of civic engagement. 

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THE SAVAGE ARTS

If you simply want to get a job done, you can choose to metaphorically phone it in or use some sort of pre-existing template. Of course, you can’t be surprised if nobody comes back to you for repeat business, or if your name and your work gets forgotten amid the swirling sands of time. Mediocrity rarely deserves much attention. 

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OPENING CEREMONIES, DECONSTRUCTED

Yes, there were missteps. Yes, there were some ill considered choices, aesthetically, technically, and narratively. I rolled my eyes at a few of them with amusement and let most of them roll off my back at the same time. But ultimately I must applaud vigorously. With the risks of spicy big art being reduced by commercial tendencies into a tasteless pablum, this particular show asked a global audience to stretch in so many exciting and invigorating ways.

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A DOCUMENT TRAVELS THROUGH TIME

This scrap of paper and ink captures my imagination. Here’s an encapsulation of an ordinary moment, apparently compiled in haste or in an incremental process of additive notation. Its relative vacuity describes the majority of our lives, the big masses of interstitial goo that hold our more substantial bones together. 

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THE RECURSIVE PROBLEM WITH ARTIFICIAL INTELLIGENCE

I’m not opposed to modernity, or the soul of a new machine. I fully embrace the inevitable process where innovation forces new ways of working that are destined to replace older modes. My specific concern is that the embrace of AI’s siren promise for innovation seems uncaring about its implications while simultaneously acting as a transformational agent. 

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CAMERA VS CAMERA: HOW TO SEE

As a dichotomy, tools matter and tools don’t matter at the same time. Give a great photographer a cheap disposable film camera you can still buy at the drug store (I love ‘em, actually) and you’re likely going to get something interesting. Give my neighbor a camera bag filled with expensive gear, and you’re going to get backlit cat photos on the windowsill…and a bag full of expensive gear. 

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MECHANISMS

Endless pursuit of the perfect tool with a perfected set of skills can get in the way of actually doing good work. Make something, and your skills will automatically improve simply by using them. Constant evaluation of artistic processes other people may have employed can similarly impede our ability to actually see what those artists are trying to do creatively.

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